Friday, April 17, 2015

Montreal entertainment trivia from the '30s and '40s


A common mondegreen from the 1930s involved Montreal.  The 1929 hit "I'm a dreamer aren't we all?" was commonly transformed into "I'm a Dreamer Montreal." The Marx Brothers used this quip in their film Animal Crackers and it was also put to use in the 70s by N. Irish playwright Stewart Parker a title. Groucho recalled it much later in his career while interviewing Montrealer Fifi D'Orsay on his little TV game/talk show.

 
Fifi D'Orsay was born Yvonne Lussier in Montreal in 1904, the daughter of a postal clerk and went on to become one of the best-known Montreal female entertainment exports until Megan Calvet. She was one of 12 children and moved to New York to do vaudeville and then appeared in a bunch of films, pushed as the French Bombshell. In fact she was neither bombshell nor French as she wasn't much of a looker and was quite open about being from Montreal and often boasted that she had never seen Paris. She died in Los Angeles in 1983.


Montreal was full of nightclubs in the 1940s as Christopher Plummer describes in this interview about his younger days in the city. He notes that Sinatra would drop in to watch Mabel Mercer, whose vocal techniques he is said to have emulated.


Plummer also describes one of the strangest things he's even seen in showbiz, watching an elderly bag lady enter a cabaret in Montreal and insist on singing. It turns out that it was Mistinguett, who impressed the posh room with a version of her tune Mon homme.

7 comments:

  1. What a great article. Those were some of the "good old days" in Montreal. Also, loved the videos! Thank you!

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  2. "Gisele ma petite bebe you are the greatest thing to hit show business here since Fifi D'Orsay. You are superb, magnificent, you are – shall we say – tres, tres? A combination of Pavlowa and Mam'selle St. Cyr. You were great."

    - Al Palmer, Sugar-Puss on Dorchester Street

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  3. I did not hear "elderly bag lady" from Plummer. Mistinguet might have been 83, but she always made sure to look great. Get your facts right.

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  4. Alain, he actually does say "bag lady" at 6:07, but the YouTube version of the interview has been cut off before this!! The YouTube part of the interview was so charming and colourful (and effective in its spirited defense of Montreal!) that I searched and found the full interview here: http://www.theatremuseumcanada.ca/legend.php?aid=2453767&vid=73952976 - which is actually the 35th part of 44 parts all available to enjoy (the interviewer comes across as more knowledgable and respectful in the other parts)! He completes the story of Mistinguett in part 35 with such admiration for her.

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  5. Thank you Harvey, you are a first class researcher. I am going to look at the original right away. Montreal's cultural life in that period was exciting, particularly so its popular culture as opposed to the opera, classical music and theatre, who could defend themselves, but did envy the nightclub life.

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  6. Thank you Harvey, you are a first class researcher. I am going to look at the original right away. Montreal's cultural life in that period was exciting, particularly so its popular culture as opposed to the opera, classical music and theatre, who could defend themselves, but did envy the nightclub life.

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  7. I can imagine this tiny lady making a scene to enter and then to get on the stage to sing! But it was probably all staged for effect. That is how you grab attention. Thanks again Harvey.

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